6-week update: I'm still happy with my purchase and still convinced it is a great value for an instrument in this price range. I replaced the strings (with "Charm" strings). The greater tension of the heaver strings caused the tailgut to fail. Turned out not to be a big deal. My luthier sold me a new, heavier one for just a few dollars and I was able to replace and restring. As others mention, it's worth investing in better strings, a better bow (on the way), and good rosin.
I’m a 20-plus year violinist who is just starting out on the cello so I know what to look for in an instrument. The Cecilio CCO-500 is simply an amazing value. It’s not an instrument for advanced players, but for what it is, it’s a great bargain. I was lucky to get the step-up CCO-500 for just a little more than the CCO-100. A friend has a CCO-100 and the difference is significant.
After two weeks and I’m favorably impressed. I’m really glad I got the CCO-500 for the solid spruce top. The laminated top on the CCO-100 may be great for kids just for durability, but the sound really won’t develop like an instrument with a solid spruce top. Just in two weeks of playing-in the sound has opened up and deepened. I know the heavy varnish and quality of the wood will limit the ultimate sound of the instrument, but so far, I’m quite impressed with the way the sound of the instrument has opened up in just two weeks of playing.
So here’s the good and the bad of the CCO-500:
• The finish is heavy, glossy, and there are minor imperfections. It’s probably polyurethane or lacquer. That said, the varnish color is a nice brown (no “beginner orange” like on the CCO-100) and the imperfections in the finish are not glaring so overall it's a nice-looking instrument.
• The wood is better than I expected. The spruce top has a grain that while straight, doesn’t have the tight and consistent spacing that you get in a higher-level instrument. The maple is quite nice looking with some flaming visible on the backs and sides. The pegs, and fingerboard are supposed to be ebony and appear to me to be. I sanded a visible rough spot on the back side of the fingerboard, but that was minor and easy to fix. I believe it’s supposed to be inlaid purfling, but I can’t tell for sure.
• The pegs fit reasonably well and don’t slip.
• The bridge (which I had to set up myself) fit fairly well and was not too high. The string height above the fingerboard was consistent and at a comfortable height.
• The tailpiece appears to be composite and looks fine. The fine tuners are shiny metal and look cheap and “student-y” but they all work fine so, no problem.
• The sound post was securely in place (something that worried me after reading some reviews). But my cello came well boxed and stowed inside the hard case. No damage whatsoever.
The accessories again are better than I expected, but still pretty cheap. But at this price point I’d rather the maker put their focus on the instrument and scrimp a bit on the accessories which can be replaced, so in this way, cheap accessories are preferable.
• The bow is pretty bad. I had to do a significant amount of alteration to get it to tighten the hair fully and the hair is a little scrimpy. That said, it is basically functional. However, my first upgrade will be a decent carbon fiber bow.
• The strings are OK. Not as thin and metallic as I expected so I’m not going to replace them until I’m a little more proficient, considering the cost of cello strings. An extra set is provided.
• The rosin is neatly and durably packaged in a plastic sleeve inside a sturdy fiberboard box with a hinged lid. It’s a light rosin and I’ll probably want a darker and better quality rosin. But again, serviceable. You’ll have to sand the top of the cake a bit to get the rosin to grab on the bow, but you have to do this on all rosin.
• The cases are impressive just because you get two: a hard case and a soft gig-bag. The hard case is a bit bulky, with a strangely coffin-like appearance, but with convenient wheels. The gig bag is a little thinner than ideal, but does have padding and is light and makes it easy to carry.
• The included stand is fine and very handy to have since I leave mine out for spur-of-the-moment practicing.
All told, I would definitely recommend the Cecilio CCO-500 to anyone just starting the cello and/or on a budget. If I’d known I could get an instrument of this quality for this price I probably would have gotten one earlier!
Cecilio CCO-500 Ebony Fitted Flamed Solid Wood Cello with Hard & Soft Case, Stand, Bow, Rosin, Bridge and Extra Set of String
3.9
| 597 ratingsPrice: 300.99
Last update: 10-19-2024
About this item
Size 4/4 (Full Size) high-luster varnish cello with inlaid purfling
Hand-carved solid spruce top with flamed maple neck, back & sides.
Ebony fingerboard, pegs, and tailpiece with mother of pearl inlaid and four nickel plated fine tuners
Includes: hard and soft case, a Brazilwood bow with unbleached genuine Mongolian horsehair, rosin, bridge, cello stand, and extra set of strings
Hand-carved solid spruce top with flamed maple neck, back & sides.
Ebony fingerboard, pegs, and tailpiece with mother of pearl inlaid and four nickel plated fine tuners
Includes: hard and soft case, a Brazilwood bow with unbleached genuine Mongolian horsehair, rosin, bridge, cello stand, and extra set of strings
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Cecilio CCO-500 Ebony Fitted Flamed Solid Wood Cello with Hard & Soft Case, Stand, Bow, Rosin, Bridge and Extra Set of Strings, Size 4/4 (Full Size)
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