Steinberg Dorico Notation Software (Retail Box Version) (46297)

2.5 2.5 out of 5 stars | 2 ratings

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Last update: 09-10-2024


About this item

Next-generation scoring software, designed by musicians for musicians
Flexible note input and powerful editing, including ability to insert and change duration of existing notes
Easily create layouts for full scores, conductor scores, and instrumental parts with independent page size, staff size, and system layout
Award-winning 32-bit floating-point Steinberg audio engine with up to 192 kHz and flexible routing for virtual instrument and effect playback
Outstanding virtual instruments with more than 1500 sounds, including HALion Sonic SE workstation and complete HALion Symphonic Orchestra library

Product information


Top reviews from the United States

Robert Sabin
1.0 out of 5 stars Awful.
Reviewed in the United States on July 14, 2024
This software is so poorly designed. Every outing is an exercise in frustration. AVOID.
dwlarson
5.0 out of 5 stars Musical notation software of the future, hands down!
Reviewed in the United States on January 26, 2019
This is the future for professional musical notation scoring software. Conceived and developed by the London engineering team [aka Daniel Spreadbury and associates] which for many years did the development of Sibelius (until Avid Tech bought it in 2006, and fired the development team in 2012), this re-envisioned approach combines the best of notation scoring and desktop publishing. Having used Finale and then Sibelius for 18+ years, I can only say that Dorico is an absolute joy to use, and truly excels at what it does. While it is only at v2.2 at this writing, it does 95% of what I need to do as a church musician, and does it exceptionally well (I've nearly forgotten how to use Sibelius!). There are some limitations, due to features not yet implemented (but which will eventually come). These are noted on the Steinberg/Dorico forum. I might add that this forum is monitored closely by the actual development team, who responds to suggestions, concerns, problematic scores, and ongoing issues. That is extremely rare!

Bottom line: Finale is stagnant, and Sibelius is struggling to give periodic updates (and their monthly/yearly subscription model is abominable). Dorico was envisioned "from the ground up", without needed to deal with legacy code of 20+ years. Nothing else comes close to what the future holds.

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