The Last Wild Men of Borneo: A True Story of Death and Treasure
4.3 4.3 out of 5 stars | 247 ratings
Price: 22.04
Last update: 08-27-2024
About this item
Two modern adventurers sought a treasure possessed by the legendary "Wild Men of Borneo". One found riches. The other vanished forever into an endless jungle. Had he shed civilization - or lost his mind? Global headlines suspected murder. Lured by these mysteries, New York Times best-selling author Carl Hoffman journeyed to find the truth, discovering that nothing is as it seems in the world's last Eden, where the lines between sinner, saint, and myth converge.
In 1984, Swiss traveler Bruno Manser joined an expedition to the Mulu caves on Borneo, the planet's third largest island. There he slipped into the forest interior to make contact with the Penan, an indigenous tribe of peace-loving nomads living among the Dayak people, the fabled "Headhunters of Borneo." Bruno lived for years with the Penan, gaining acceptance as a member of the tribe. However, when commercial logging began devouring the Penan's homeland, Bruno led the tribe against these outside forces, earning him status as an enemy of the state, but also worldwide fame as an environmental hero. He escaped captivity under gunfire twice, but the strain took a psychological toll. Then, in 2000, Bruno disappeared without a trace. Had he become a madman, a hermit, or a martyr?
American Michael Palmieri is, in many ways, Bruno's opposite. Evading the Vietnam War, the Californian wandered the world, finally settling in Bali in the 1970s. From there, he staged expeditions into the Bornean jungle to acquire astonishing art and artifacts from the Dayaks. He would become one of the world's most successful tribal-art field collectors, supplying sacred works to prestigious museums and wealthy private collectors. And yet suspicion shadowed this self-styled buccaneer who made his living extracting the treasure of the Dayak: Was he preserving or exploiting native culture?
As Carl Hoffman unravels the deepening riddle of Bruno's disappearance and seeks answers to the questions surrounding both men, it becomes clear saint and sinner are not so easily defined, and Michael and Bruno are, in a sense, two parts of one whole: each spent his life in pursuit of the sacred fire of indigenous people. The Last Wild Men of Borneo is the product of Hoffman's extensive travels to the region, guided by Penan through jungle paths traveled by Bruno and by Palmieri himself up rivers to remote villages. Hoffman also draws on exclusive interviews with Manser's family and colleagues, and rare access to his letters and journals. Here is a peerless adventure propelled by the entwined lives of two singular, enigmatic men whose stories reveal both the grandeur and the precarious fate of the wildest place on earth.
Top reviews from the United States
Before reading The Last Wild Men in Borneo I read Mitchell Zuckoff's book Lost in Shangri-La, about the survivors of a World War II era plan crash in the Borneo highlands. Zuckoff is not the writer that Hoffman is and I found his book a slog. But what Zuckoff brings home to the reader is that before World War II there was very little contact between western people and the people in the interior of Borneo. The tribal people described by Zuckoff were still using stone implements. Within a generation this changed. While the tribal people of Borneo still exist as ethnic groups, their lives have been completely changed. Borneo itself has been transformed by vast palm oil plantations (Indonesia and Malaysia produce over 80 percent of the worlds palm oil).
Bruno Manser lived with the nomadic Penan tribal people. As logging started to intrude on Borneo in the 1970s, Manser began a long campaign to preserve the Penan's environment. His objective was to create a protected national park in which the Penan could live in their traditional way.
Michael Palmieri was one of the early tribal art collectors and dealers who, over the course of decades, amassed a large collection of art created by the indigenous people of Borneo. Some of the art that he obtained is in museums in the United States and Europe and in private collections. Palmieri lead a remarkable life and is, apparently, a very charismatic person. Hoffman provides fascinating background on the art and the meaning of the art to the indigenous people.
Hoffman himself spent some time with the Penan people. Quoting Bruno Manser and his own experience he writes about the way the Penan people lived as part of their natural environment. Hoffman also notes that the lives of the Penan were very hard and could, in an instant, be impacted by injury, disease or death. Bruno Manser's desire for an ever innocent and untouched Penan people ignored the fact that the modern world has many benefits, while it also can completely alter or destroy the natural world.
Hoffman is such a good writer that when I finished The Last Wild Men of Borneo I bought a copy of Hoffman's other work of ethnography, LIars Circus, about his travels with the feral tribes of Trump supporters.
Two men. Two opposing objectives.
Swiss activist Bruno Manser’s 1980’s efforts to preserve Borneo’s pristine rain forest and lifestyle of the indigenous Penan were paramount in worldwide ecological and anthropological interests. The stories of Bruno living in the jungles with the Penan for six years and attempting to save their way of life are mindboggling...good presentation by author Carl Hoffman. The country of Malaysia could care less...twenty billion dollars of lumber eventually came out of Borneo...the rainforests demolished...the Penan basically all westernized.
On the other side, we have adventurer Michael Palmieri, a treasure hunter and collector of indigenous tribal artifacts. It’s a matter of opinion as to whether Michael and others in this profession are preserving the past or looking at the dollar signs. Either way, too much time and space devoted to Palmieri...