Sony SLT-A65V 24.3 MP Translucent Mirror Digital SLR With 18-55mm Lens

3.6 3.6 out of 5 stars | 80 ratings

Price: 468

Last update: 12-18-2024


About this item

2nd Generation Translucent Mirror Technology camera
24.3 MP for superb detail and amazing enlargements
Ultra-fast up to 10 fps continuous shooting with Auto Focus
Built-in GPS chip for geotagging your pictures and video
World's first HD Movie mode with AVCHD 60p/60i/24p

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Sony SLT-A65V 24.3 MP Translucent Mirror Digital SLR With 18-55mm Lens

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Top reviews from the United States

  • jstover33
    5.0 out of 5 stars Phenomenal Game Changer
    Reviewed in the United States on November 10, 2011
    I have only had this A65 for a couple of days so let's call this a "first impression". I think one of the early magazine reviews called the A65 and A77 "game changers". I have to agree and think that the engineers at Canon and Nikon are really looking at this camera. I also have a Nikon 5100 and Canon G12 in which to compare. Neither of those cameras are slouches. The G12 is my "go to" and I love it dearly (buy one). Of course it is a high end P&S, but a P&S none the less. So I will base my comparison on the Nikon 5100.

    Most of my comparisons have been indoor flash shots and a night shots outside. Pixels comparisons aside (16m for the 5100 and 24 for the A65), I am astounded by how much better the Sony photos are. And I thought the 5100 was good-and it is, of course. One of reasons I bought the 5100 was to replace a Nikon D80. I love having a flip out screen, which it and the Sony have. I NEED flip out screens, the G12 has one too. I take a lot of my shots from a position other than up to my eye. Anyway, more about the A65.

    The OLED viewfinder is amazing. For a real thorough review of the viewfinder alone check out a review of the A77 here on Amazon. The A65 and A77 share the same viewfinder. First off, is shows the entire image which you don't get with the 5100. You have to move up to, what the D7000 to get that? I have to tell you the ability to level the camera in the viewfinder in two axis is REALLY handy. No more wonky horizons. I hike a lot in our local PA mountains. The ability to sight across from one hill side to the other and use the viewfinder as a sighting level is a real cool, but admittedly esoteric use of the view finder. Once you have the viewfinder tilt and yaw indicator you will be spoiled forever trust me on that!

    With the push of a button you can zoom in the view finder very easily. You can turn on and off the information you see in the finder.

    Here's another advantage in bright daylight: You can review the photos in the finder with your eye through the finder. That is another of MANY pluses of the EVF. I understand Sony has broken some new ground with this new EVF vs. the older iterations of EVFs. They are here to stay. My guess is the optical viewfinder will fade (no flames please). This a very big deal. Using it is a "wow" moment as it is a better mousetrap.

    If you put the 5100 on Live View and compare it to the Sony A65 there is NO comparison. If you take a photo in Live View you need to wait until the darn mirror flips up and down. Slooooooow. A P&S camera such as the G12 is MUCH faster shot to shot since it does not have to operate a mirror. The Sony just zooms along merrily, click, click, click, click. Then if you want to mimic a chain gun on a Apache helicopter put it on a continuous 10 shots a second mode. I had no way to measure it, but I put the 5100 on continuous shooting (of course, NOT with Live View) and it was quite a bit slower with that darn 'ole mirror getting a workout. Don't forget, though, to minimize your SD card choking on all that data you need to use one of "Extreme" SD cards. I assume you would want that type of SD card for videos anyway (I don't do much video). A cheapy SD card will work fine unless you want to play machine gun with the shutter. No matter what, it will not keep up with 10fps for very long. I am not sure how the other DSLRs fair in that regard. I did use it an action pistol match my son and competed in. I was able to capture his flying brass and the Glock in full recoil which was pretty cool.

    I recently shot some video and played it back on my Sony Bravia 50" TV (I am NOT, in general, a Sony fanboy, as I currently own Nikon, Canon and Lumix cameras) via the mini HDMI port on the camera. It was truly excellent. Another review here on Amazon from an obvious video enthusiast called it "amazing". I won't dispute that. The quality of the audio seem pretty darn good. the microphone sits on top of what would be the pentaprism in an arc. Previously, my videos from the Canon G12 have been on my computer monitor. I am not doing a pixel peeping comparison. Based on my experience and web site reviews the video capabilities are probably best in class.

    Shot to shot comparison is: A65 is sharper, but with better color rendition. The only thing the 5100 MAY have over the A65 is perhaps a slightly stronger flash, but not by much. a November 11th review on a German camera web site came out and declared the best camera under 1000 euros. I think the camera has maybe two weakness (or maybe two characteristics that are not better than a Canon or Nikon): the first is that the flash is good but the Nikon may be a bit better. But no one matches Nikon on that. The second is that at high ISOs the quality MAY fall off a little more quickly than comparable Nikon or Canon offerings. That MAY be a tradeoff from having 24m pixels. I say that ONLY from the reviews I have read. I have not had any real world comparisons for high ISOs. My comparisons using a flash in a room with a lot of detail shows the A65 pretty much blowing the 5100 into weeds. I think some have also questioned that the Sony .jpg engine and advised shooting in RAW until Sony refines the firmware. That may be, but the photos, to this amateurs and non-technogeek, look awfully good. It is a heck of a camera and a joy to uses.

    I like how the A65 has a dedicated ISO button for quick changes. You can modify one of the 5100's buttons to do the same thing, but I don't think it is as intuitive. In fact, none of the command structure in the 5100 is as intuitive as the Sony's. I have to hunt for options on the Nikon that seem easier to find on the Sony. I have had the 5100 for 7 months and only two days for the Sony...

    Here is a bonus to the Sony that I was ignorant of until last week. Legacy AF Minolta and Konica-Minolta lenses work just fine on all the Alphas. Shame on me for not knowing. When Sony bought Minolta in 2005 they wisely retained the old A-mount. Why is that important? You are not stuck buying new Sony lenses. You can buy good used Minoltas that are HIGHLY rated Japanese made lenses. I got my A65 with the 18-55 kit lens. I just received a used Minolta 70-210mm f3.5-4.5 off eBay for $120. It is MINT and works PERFECTLY. If you do a quick search there are web sites devoted to rating Minolta lenses that work with Sony Alphas. Did I say BARGAIN? The lens I bought I think sold for $350 when it was new. On site showed it at $625 in today's money (based on the old purchase price) if I recall. Even if the Nikon, Canon and Sony were equivalent at the same price point (and they are not) being able to use the legacy Minolta lens is a real plus. (I almost forgot-I had a Canon Rebel XTi. Had buyers remorse right away. The photos from it just did not look good, but that is dam water long gone soured me on Canon DSLRs. I love my G12 though! I realize Canons DSLR are fantastic cameras with lots of happy campers. A semipro I know that shoots wildlife switched to high-end Canons from Nikon simply because comparable lenses from Canon are much cheaper than Nikon, but that is a story for another day).

    If you check out eBay lenses. I cannot recommend one seller too highly; ddrfam1439. Dennis deals only with Minolta lenses and is the best seller of ANYTHING I have bought from eBay. There are other reliable lenses dealers on there, but if Dennis has it I would buy with 110% confidence.

    I considered the A77 too, BUT here is the problem: a big price hit over the A65. Yes it does have a magnesium body and is weather sealed. If I go hiking in bad weather I will take my weather proof Lumix TS2. It is quite a bit larger and heavier though than the A65. They share the same EVF - that is important. Yeah, I guess it has a couple more focus points, but in real world I don't think that matters. Sometimes technical reviews focus (to steal a phrase) on pixel peeking and theoreticals rather than real world use. Maybe a pro needs the A77, but $999 vs. $1999? I can find other uses for $1000 - more lenses and filters maybe with lots left over for 18-year old Scotch.

    I have always had Nikons and Canons, but until now, never gave Sony a look. The buzz about the A77 caused me to check out the line and I am glad I did. This Sony A65 is like jumping into an Audi S4 from a VW Golf from my Nikon. I think for $999 there is nothing better-at the moment anyway.

    I will try to update this review over time.

    November 11, 2011 UPDATE. Remember the scene in "Something About Mary" when the greasy P.I. Healy (played to a "T" by Matt Dillon), was lurking around Mary's apartment? Through his binoculars, he got a glimpse of the body of her prune-like neighbor, but not seeing the face he thought it was Mary. To his fellow buffoon and voyeur he muttered "oooof, first chink in the armor, Teddy". Well, the A65 has a problem. Sometimes it will not shut or or start up. Taking the battery out and putting it back in solves it for a while. It is acting flaky. I did check on-line and I am running the latest firmware (1.03). So I called Sony...they are emailing me a FedEx label to ship to the Laredo TX service center. The camera is working, but I don't trust it to hold the charge as something drained the battery even though the switch was 'OFF' when I was not using it. I will report how Sony does on service. It is working so I will use it some, but ship it out on Monday.

    November 14, 2011 UPDATE: I updated and edited some of the text above. AND the camera seems to be working just fine. I may not sent it back just yet. I took quite a few shots and video yesterday. Likely, my 5100 is going on eBay; don't need both.

    Late November 14 UPDATE: Although it does seem to be working fine now, I think since I have the FedEx (ground) label I may as well send it back to have it gone over. By the way, when I was talking to Sony over the weekend they gave me the address to send it to. I then said it would be nice to get a prepaid label. The rep said, "we will email you one". I am not sure if she just forgot or that is something you have to ask for. With Sony losing money it may be the latter.

    Update November 24, 2011: camera was shipped to Sony in Laredo, TX on 11/16 and arrived 11/21. I received an email from Sony that evening indicating it was received. I just got a phone call this morning (Thanksgiving!) from a fellow at the service center asking me questions on the on-off/battery issue. He said it will ship next Tuesday and arrive to me on Thursday. I have to give Sony high marks to Sony for customer service at this point. I did feel bad, though, for the fellow working on Thanksgiving. That was pretty unexpected.

    Update March 18, 2012: I have had the A65 for some time now and can reflect further. It is a fantastic camera with a ton of best in class benefits with only one Achilles heel (very high ISO performance-beyond 1600-is not as good as Canikon). OK, so what I have been up to? Buying lots of Minolta legacy lenses (50/1.7; MACRO 50/2.8; 35-105; 35-80; 700210/f3.5-4.5) and a Sony Carl Zeiss 16-80. Here would be a killer deal: buy the A65 body and the Carl Zeiss 16-80. Then add maybe the Minolta 70-210 (a good one if you can find it. Get the Minolta MACRO 50/2.8 too if you dig closeup work-which I do). I have run comparison tests on all my lens as accurately as I can...the CZ is fantastic from center to edge. The Minolta 50 MACRO 2.8 is just about as good, but the 50/1.7 falls on its ass in the corners-at least my example does. I also compared these lens to the kit lens...the kit lens is no POS. It is quite decent. I got my CZ lens off eBay in as new condition for $625. New it is $800, so it is not cheap. Some have complained that it has a plastic (well made though) body and not metal (the mount is metal). Well, a metal CZ lens cost about double this one, plus it is LIGHTER - always good.

    At the risk of repeating myself...the ability to use those legacy Minolta lens is HUGE. For example, the MACRO 50 I got in super shape off eBay for $220 (and gulped at that). The Sony version of that lens now sells for over $500! I paid only $120 for that 70-210/f3.5-4.5 and it is fantastic. I don't know what you would have to pay for a new lens with comparable optics and range.

    I have also picked up a couple of flashes. You can get a Minolta 3600HS for a good price on eBay. It DOES have its limitations (head flips up but does not swivel and cannot cut the power). A MUCH better choice, albeit more expensive is the Sony HVL-F56AM. It is a rebadged Minolta 5600. It has far more capabilities than the 3600. Check them out.

    If you REALLY want very high ISO performance, buy a Pentax DSLR and not the Canon or Nikon. Pentax blows everyone into the weeds-and they are an excellent value. As for really low light stuff, such as street shooting, I am fortunate to have a Fuji X100 which does that so well (among other things very well, but with more than a few quirks).
  • Ian Markar
    3.0 out of 5 stars Some important issues to be aware of if you are considering the A65
    Reviewed in the United States on August 8, 2012
    While there are a number of informative reviews here about the Alpha-65, I wanted to include a number of important (at least to me) issues with the camera that I had not come across in other reviews. While I enjoy the camera very much, the presence of these issues sometimes gets in the way of enjoying the camera to its fullest extent:

    1) AEL/Focus lock

    In multi-segment metering mode, BOTH the exposure and focus are locked when the the shutter is pressed halfway, which I consider a good thing. This allows me to set exposure+focus with one button and then recompose the scene prior to taking the shot. In the other two metering modes (center-weighted and spot) pressing the shutter half-way only locks the focus. If you recompose the shot, the exposure setting changes based on the new area. While in these two metering modes, you have to use the AEL button to hold the exposure. In many cases, I prefer to use center-weighted metering so as a result, I have to push two buttons to hold exposure and focus.

    2) Exposure meter

    Although there is wealth of icons and status data on the VF and LCD screen, it is missing a exposure meter in P/A/S shooting mode! How can this be on such a pro-consumer lever camera? Am I missing it? If so please submit a comment and let me know. The only indication you get is a flashing aperture/shutter-speed if you pushed the setting too far (greater that +/-3EV). But you have no idea how far off you are getting away from nominal exposure as you change settings.

    3) Image preview - zoom in/out

    If you press zoom while viewing an image, it automatically takes you to very large magnification. This is good if you want to check focus but sometimes all I want to see is if the subject has blinked or not. And because of this feature I have to zoom out substantially or pan around to find the face and check the eyes. It can take a good 10 seconds and people don't want to wait around for the second shot.

    4) Image preview - zoom buttons

    On a related item to above, the zoom buttons do not automatically zoom in/out if you press and hold. You have to press the button for each increment of zooming. I have counted 24 presses of the Zoom Out button to get back to full view of the image!! I know you can press the center keypad button to fully zoom out in press, but the point is that if you press Zoom In, be prepared to press a Zoom Out a number of times to see a slightly less magnified view.

    5) Image preview - scrolling through images

    My 32GB card can hold 3000 pictures but the camera offers no practical way of navigating in this very large space. The fastest way I have figured out is to scroll down in increments of 9 thumbnails, which can take minutes to go through that many pictures. I am really surprised at this lack of software support to find pictures or navigate sensibly. A friend's 2 year old Nikon (D3100??) has the option to zoom out from one picture to 9 thumbnails, to 50 thumbnails to a calendar navigation where pictures can be shown by date taken, all by pressing the zoom out button incrementally. Oh, and the zoom in/out advance automatically without having to press each time.

    There are many things I really like about the camera and I have waited years to upgrade my camera (my previous being the Olympus C-8080 I bought in 2003!). So I am a bit disappointed at not being able to get the full functionality I was hoping for.

    I am not sure what I'll end up doing. I'll check the A-77 and Nex-7 to see how they compare on the above issues.

    Good luck
    Armen
  • JMS88
    1.0 out of 5 stars Major Dust Issue
    Reviewed in the United States on November 11, 2011
    I have owned a Sony A55 for 6 months and an A65 for 3 weeks. I sold the A55 and returned the A65. Both for the same issue. These cameras have a major problem with Dust. Either on the sensor or on the mirror. I had to have the A55 cleaned professionally for 80 dollars. I do not change lenses. I had a Sony 18-250 on both cameras. The store employee said that dust enters the camera from the Zoom part of the lens. I'm not sure I believe him but the pictures on the A55 had about 10-15 dust spots after 4 months of use. The Dust removal system on the A55 did not work at all! Which lead me to believe that the dust was on the mirror. The A65 developed 1 dust spot after 2 weeks. Again the lens never came off the camera. The A55 took wonderful pictures, well saturated colors reasonably sharp jpg's. The A65 was a different animal. Pictures were not as sharp as the A55 even with a +3 sharp factor on the jpg's. And colors were muddy. I love an electronic EVF, which is the main reason I bought both cameras. But to have an EVF you need to have a static mirror with an open sensor. I think this is the downfall for these cameras.
    The perfect camera (For Me) would be the A55 with an APS sensor and a FIXED 18-250-300 lens. Size does not matter! It would be no bigger than an A55 or 65 are now and an enclosed system would end the dust issue. SONY are you listening!!

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