By Any Other Name: A Novel
4.4 4.4 out of 5 stars | 2,003 ratings
Price: 21.66
Last update: 09-12-2024
About this item
From the New York Times bestselling co-author of Mad Honey comes an “inspiring” (Elle) novel about two women, centuries apart—one of whom is the real author of Shakespeare’s plays—who are both forced to hide behind another name.
“You’ll fall in love with Emilia Bassano, the unforgettable heroine based on a real woman that Picoult brings vividly to life in her brilliantly researched new novel.”—Kristin Hannah, author of The Women
Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn’t level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym.
In 1581, young Emilia Bassano is a ward of English aristocrats. Her lessons on languages, history, and writing have endowed her with a sharp wit and a gift for storytelling, but like most women of her day, she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees all theatre productions in England, Emilia sees firsthand how the words of playwrights can move an audience. She begins to form a plan to secretly bring a play of her own to the stage—by paying an actor named William Shakespeare to front her work.
Told in intertwining timelines, By Any Other Name, a sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. Should a writer do whatever it takes to see her story live on . . . no matter the cost? This remarkable novel, rooted in primary historical sources, ensures the name Emilia Bassano will no longer be forgotten.
This audiobook contains a bonus PDF with Shakespearean references, Sources and Resources, and an image from the book.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
Top reviews from the United States
There are so many aspects of this book that I loved. The narrative flows effortlessly, guiding the reader through the life, loves, and struggles of a remarkable woman who, in another era, might have been celebrated and renowned. Picoult skillfully intertwines the past and present, from the Elizabethan era’s “Emilia” to the modern-day “Molina,” a young woman whose lineage traces back to Emilia. The novel poignantly explores the enduring challenges faced by women across centuries. As a male reader, I found this book particularly enlightening. I was deeply moved by the experiences of these women and the supportive men who understood and stood by them.
Outstanding historical fiction, with sides of literature, romance, and humor. With a slight blush of fantasy. Two novels and a play interlace. From such limited and dubious sources as an astrologer’s diary, Picoult creates a fully realized, sympathetic Elizabethan protagonist. A Shakespearean tragicomedy of errors, mistaken identities, and star-crossed lovers. Picoult expands her reputation.
“Your play isn’t about history. What happened to Emilia is still happening, every day.”
This who-really-wrote-Shakespeare theory works better than most. Certainly more entertaining. Like The Da Vinci Code, Picoult wraps her advocacy in fiction. Better fiction than Brown’s. Modern parallel story is equally satisfying and frustrating—intentionally—despite it being her hand puppet for data dumps and lectures.
"Explosives. Opioids. Nuclear weapons. None of them could hold a candle to hope, the most dangerous commodity in the world."
Loved the story but miss the subtlety of Picoult’s earlier works. Could be dozens of pages shorter if Picoult resisted the urge to explain everything. Occasionally two or three times. To assure you get it, she underlines key points. Let the reader figure it out. The first hundred pages are the worst, so stick with it. Wanted to rate it higher—even read the book a second time—but while the story is great the storytelling isn’t quite.
“I can’t believe you’re quoting Shakespeare to convince me.” “I’m quoting Emilia Bassano.” “Just think, two weeks ago you only wanted a play produced. Now you want biblical vengeance.” “I’m an overachiever.”
Quibbles? The veneer over her agenda is occasionally transparent. Of course it’s agenda-driven; isn’t most art? (Agenda are like noses: we all have them but see our own less than others.) Even though I agree with some of her polemics, they’re still polemics. Hard sell; Soft pornography; coarse language. You’re warned.
"Being named was important. It gave you credit for the work you put into the world, but it also held you responsible for your words and deeds when you hurt the people you loved, even inadvertently."
The historical character, Emilia Bassano was fascinating. I love how the author brought her story to life from the pages of history. Her survivors spirit carried her through the many twists that life threw at her. And her strength and resilience made me root for her.
I enjoyed the modern story, too. A bit of a romance. A bit of a comedy of errors worthy of Shakespeare himself Emilia herself. False names. Secret identities. And a woman struggling to fight against sexism while also recognizing her own privilege.
And the Shakespeare buffs will appreciate all the references scattered throughout along with actual quotes.
This is a solid five stars and will forever alter how I view the authorship of Shakespeare’s plays!