The Glass Universe: How the Ladies of the Harvard Observatory Took the Measure of the Stars
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Last update: 05-24-2024
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Number-one New York Times best-selling author Dava Sobel returns with the captivating, little-known true story of a group of women whose remarkable contributions to the burgeoning field of astronomy forever changed our understanding of the stars and our place in the universe.
In the mid-19th century, the Harvard College Observatory began employing women as calculators, or "human computers", to interpret the observations made via telescope by their male counterparts each night. At the outset this group included the wives, sisters, and daughters of the resident astronomers, but by the 1880s the female corps included graduates of the new women's colleges - Vassar, Wellesley, and Smith.
As photography transformed the practice of astronomy, the ladies turned to studying the stars captured nightly on glass photographic plates. The "glass universe" of half a million plates that Harvard amassed in this period - thanks in part to the early financial support of another woman, Mrs. Anna Draper, whose late husband pioneered the technique of stellar photography - enabled the women to make extraordinary discoveries that attracted worldwide acclaim. They helped discern what stars were made of, divided the stars into meaningful categories for further research, and found a way to measure distances across space by starlight.
Their ranks included Williamina Fleming, a Scottish woman originally hired as a maid who went on to identify 10 novae and more than 300 variable stars; Annie Jump Cannon, who designed a stellar classification system that was adopted by astronomers the world over and is still in use; and Dr. Cecilia Helena Payne-Gaposchkin, who in 1956 became the first ever woman professor of astronomy at Harvard - and Harvard's first female department chair.
Elegantly written and enriched by excerpts from letters, diaries, and memoirs, The Glass Universe is the hidden history of a group of remarkable women who, through their hard work and groundbreaking discoveries, disproved the commonly held belief that the gentler sex had little to contribute to human knowledge.
Top reviews from the United States
Whether you're specifically interested in the subject of women in science or not, this book is just a great snapshot of science history, period. From the late 1800's, when next to nothing was known about what stars were made of, their lifecycle, whether there were other galaxies or not, etc., to the work of Edwin Hubble in the 1920's and 30's, with the discovery of an expanding universe populated by untold numbers of galaxies, a scientific road runs through the work of the ladies of the Harvard Observatory. The "big names" (like Hubble, Hertzsprung, Russell) were indebted to their work.
In short, another great book from Dava Sobel. Previous books (Longitude and Galileo's Daughter) are also well worth reading. She is thorough but never plodding in her retelling of history. It feels alive, moving at times, and always interesting.
Sobel does an excellent job of telling these ladies stories in The Glass Universe. This book is very science heavy but the author writes in such a way that a non-science person can understand.
It is also very people heavy and sometimes the story can get lost in all these women's threads but you still come away with an understanding of who these women were and how the work they were doing for Harvard was pretty revolutionary for the time.
A must read for fans of astronomy, science, women's history or history in general.
6 June 2017
Sobel, Dava. (2016). The Glass Universe: How the ladies of the Harvard Observatory took the measure of the stars. New York, NY: Viking.
Women's expeditions into advanced mathematics and science are not the same as men's. That was notoriously true in 19th and 20th century America, as gate-keepers protecting the realm of men (while ostensibly and disingenuously protecting the fairer sex) unapologetically denied gender equality. Recall that before 1920, women in most of the US did not have the right to vote.
Glass Universe is an important women's history overlaid on a history of astronomy and astrophysics. The title refers to the half million glass photographic plates on which stellar observations were recorded, and the subtitle reveals the subject of Dava Sobel's exploration, developed through a series of biographies. A chronologic approach was taken, focusing on several key players with a large supporting cast, while the observatory is the stage.
Award-winning science writer Sobel introduces a cadre of astronomers previously known to few of us, although their discoveries and taxonomies are fundamental today. I am a fan because I have enjoyed Sobel's Longitude and Galileo's Daughter many times each. Her research is rigorous, and she treats her subject astronomers with admiration and love, describing women pioneers in photography; spectroscopy; stellar origins, evolution, and chemistry; and astrophysics. Positions of primacy are given to Williamina Fleming (1857-1911), who devised a classification scheme for stars and discovered more than 300 variable stars; and Antonia Maury (1866-1952), whose enhanced spectral classification scheme based on improvements in photography distinguished between giant and dwarf stars, and who identified spectroscopic binaries.
Henrietta Swan Leavitt (1868-1921) established a system to measure distances across space based on the brightness of stars, and her co-worker of two decades, Annie Jump Cannon (1863-1941) classified and cataloged the light spectra of hundreds of thousands of stars. Cannon also mentored Cecilia Payne (Gaposchkin)(1900-1979), who revealed the physical and chemical nature of stars, the articulation of physics and astronomy, or astrophysics. Hers was the first PhD in Astronomy conferred by Harvard/Radcliffe (1925). Heiresses Anna Palmer Draper (1839-1914) and Catherine Wolfe Bruce (1816-1900) also advanced astronomy as generous benefactors.
Reading this book required three and four bookmarks. The text is 323 pages, including bibliography and index. There is so much information -- unwrapping the life stories of many astronomers -- that I frequently flipped back and forth between sections to help me distinguish between individuals. An extensive timeline is concealed under the title Highlights of the Observatory (pp. 273-279), and that was important to bookmark, as is the alphabetic catalog of astronomers and others (pp. 285-292), and the glossary located between them. Six color photos are centered in the book, which includes 20 pictures of the visionaries. But the unconventional lack of scholarly references and citations is not explained, despite the wide use of quotations, and it is not clear why the academic title Dr. was so seldom and inconsistently used.
Through this book, Sobel opened a new universe for me, sending me searching for more information on these fascinating women of science. These astronomers who changed our understanding of the universe demonstrated resilience in the face of denied academic degrees, titles, awards, positions, and reasonable pay based explicitly on their gender, even as they published seminal works in the science.
Like artists, scientists pursue original thoughts and intellectual challenges. The interpretation of findings and written expression are steps in a solitary creative endeavor. They must have great faith in those to whom they reveal and entrust their discoveries. I imagine these pioneers created a supportive environment for each other, a privileged sisterhood, enabling them to retain their unique positions in the observatory and the academy, fully aware that most women were denied access to such work and study. And they were probably not surprised when others took credit for their work. Yet the women remained committed to expanding, generating, and then sharing knowledge. They were as brilliant as the stars they were measuring in as many dimensions.