English Literature in the Sixteenth Century (Excluding Drama)

4.9 4.9 out of 5 stars | 43 ratings

Price: 40.94

Last update: 11-05-2024


About this item

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

English Literature in the Sixteenth Century is an invigorating overview of English literature from the Norman Conquest through the mid-seventeenth century from one of the greatest public intellectuals of the modern age. In this wise, distinctive collection, C. S. Lewis expounds on the profound impact prose and poetry had on both British intellectual life and his own critical thinking and writing, demonstrated in his deep reflections and essays.

This incisive work is essential for any serious literature scholar, intellectual Anglophile, or C. S. Lewis fan.

Supplemental enhancement PDF accompanies the audiobook.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.


Top reviews from the United States

Glynn Young
5.0 out of 5 stars The man knew his English literature
Reviewed in the United States on January 9, 2023
We know C.S. Lewis as a popular theologian, a writer of children’s stories like The Chronicles of Narnia and science fiction stories, the man who gave us “Mere Christianity,” “A Grief Observed,” and “The Screwtape Letters. “We know him as one of the Inklings, a small group of Oxford dons (and a few others) who met regularly at The Eagle and Child (or Bird and Baby) Pub and C.S. Lewis’s rooms in Oxford to discuss their works in progress, life, religion, and everything else.

What we often forget is that, before he was a Christian and even after, before his wartime broadcast for the BBC, and before Narnia, Lewis was a scholar. He was a Fellow and Tutor of English Literature at Oxford, and he was chair of Medieval and Renaissance Literature at Cambridge University.

In 1944, he gave a series of lectures at Cambridge under the general title of “English Literature in the 16th Century.” He eventually edited the lectures and published them in 1954 as “English Literature in the 16th Century (Excluding Drama).” Almost 70 years later, HarperCollins has republished the volume under its 1954 title. It’s a broad choice of subject, made somewhat easier by the “exclusion of drama,” which means the lectures did not include any discussion of Elizabethan drama, including Shakespeare’s early plays.

Still, the subject is large. And Lewis’s grasp of the subject is large, if not astounding. He covers poetry, theology (and it’s a period of a lot of theology), political writing, philosophy, and fiction. And while academic readers may chafe somewhat, the text is highly readable and accessible by general readers – likely a reflection of how the book started life as a lecture series. At times, it seems almost conversational.

The broad strokes of understanding are simply described. Literature in the 16th century was marked by a battle between the Scholastics and the Humanists, which the Humanists eventually won (I don’t think Lewis viewed that as a positive development). The was marked by the theological battles between, first, the Catholic establishment and the English translators like John Wycliffe, and then the religious wars between the Protestants and the Catholics. Sir Thomas Moe and John Wycliffe were martyred a year apart and for different reasons. Lewis also devotes considerable attention to one of the most important works of the 16th century – “The Book of Common Prayer.”

Lewis notes that, for Scotland, the century began as an almost golden age in literature, while for England it was what he calls the “Drab Period.” No one, he notes, would have expected the Drab Period to eventually give way to the amazing English literature of the last half of the century. But it did, and he says he can’t offer a reason for why it happened.

In detail, he covers the greatest writers of the century – Edmund Spenser, Tyndale John Knox, More, Christopher Marlowe, John Donne, Shakespeare (his sonnets).and many others. His descriptions and understanding make it clear that he’s not only read these authors, he’s read about these authors. The breadth and depth of Lewis’s scholarship is astonishing.

“English Literature in the Sixteenth Century” is not only an in-depth introduction to the great and not-so-great works of the period; it’s also a display of Lewis’s scholarly knowledge and understanding. And it was this incisive mind that also gave us his well-known works on Christianity, which Lewis himself might see as of a piece.
Victor B. Minish II
5.0 out of 5 stars For the Lewis reader moving beyond his popular works.
Reviewed in the United States on December 14, 2019
Lewis in his field and perhaps at his very best. A hidden gem for Lewis readers familiar with his specifically Christian writings.
MGreen
5.0 out of 5 stars Excluding drama, and also excluding the Chronological Table and ...
Reviewed in the United States on March 11, 2018
Excluding drama, and also excluding the Chronological Table and extensive Bibliography in this paperback version. But, still a 5-Star purchase. On the hunt for a PDF of the table and bibliography.
DM SHERWOOD
5.0 out of 5 stars A Cliff Notes of the rtenaisance
Reviewed in the United States on July 28, 2013
Gives the Frameword to that Odd explotion of Litery talent that was the age of ELIZABEH I. Many minor & plain bad authors are delalt with as in nessesary to create context .Although Shakespeare Hooker & Marlow are dealt with more thoroughly
Useful as backround to an BA and also for those intresting in the birth of Science
ChristineEllenNYC
5.0 out of 5 stars Deserves its reputation as a classic.
Reviewed in the United States on August 22, 2013
Leaving aside Lewis's whole "golden" versus dull contrast (Shakespeare and Spenser are golden, of course), this is a classic because it really does have very astute interpretations of an astonishingly wide array of Renaissance genres. Lewis writes clearly and knows his stuff.
Brian S.
5.0 out of 5 stars Five Stars
Reviewed in the United States on March 31, 2016
One of my favorite books by one of my favorite authors.
Mennonite Medievalist
5.0 out of 5 stars Criticism. Pleasure. In the Same Sentence.
Reviewed in the United States on March 22, 2004
One of the primary pleasures of reading literary criticism is to hear someone intelligent talk about books you both have read. This book, then, couldn't be better. Erudite, controversial, innovative--whether you approve of Lewis's opinions or not, they're always good reading. If you're like me, and haven't read many of the sixteenth-century works Lewis discusses, then this literary critical history will give you the related pleasure of hearing someone intelligent talk about . . . anything. Lewis could blow your mind and change your life if he wrote an essay on tying shoes; thankfully, he wrote instead on ideas underpinning the Western world.

In this volume, his work on poetry is especially good. Highlights include the stylistic acrobatics Lewis put himself through to avoid saying 100 times of Drab Age poetry: "I don't like it; you won't either; read something else." Cranky? Yes, but insightfully, entertainingly cranky. Then, when he actually turns proselytiser and suggests you read something--well, I'll admit this volume practically by itself has gotten me interested in early Scottish poetry and the great Elizabethans, not to mention equipped me (almost as an afterthought) with more prosodical knowledge than I received in any of my creative writing classes.

This book is good enough to read all by itself. If you have knowledge of the period, so much the better. Lewis has spoiled me as a literature grad student, permanently I hope; no other critic measures up to his combination of insight and memorable prose.
David Graham
5.0 out of 5 stars English Literature in the Sixteenth Century
Reviewed in the United States on February 7, 1998
Whether you rate this a 10 or a 2 depends on your reading tastes. No doubt many people would find the topic uninteresting, and if the topic or the author are not subjects you enjoy, then don't bother to buy it. Not being a lit. buff myself, my attraction for the book was the author's commentary, with the goldmine of quotable material found therein. This is an impressive volume of literary history, and I doubt that anyone else could have done such a thorough job and still made the topic come to life with such vigorous exposition. Opinionated? You bet. That's part of what makes it enjoyable to read. If you are interested in obtaining a copy of the book, you may want to contact Oxford University Press directly. As one of the twelve volumes constituting the "Oxford History of English Literature" series, they have continued to print it over the years.

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