Pilgrim at Tinker Creek
4.4 4.4 out of 5 stars | 1,396 ratings
Price: 22.29
Last update: 11-05-2024
About this item
Winner of the Pulitzer Prize
“The book is a form of meditation, written with headlong urgency, about seeing. . . . There is an ambition about [Dillard's] book that I like. . . . It is the ambition to feel.” — Eudora Welty, New York Times Book Review
Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley, where Annie Dillard set out to chronicle incidents of "beauty tangled in a rapture with violence."
Dillard's personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, she stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons.
Top reviews from the United States
First, the basics. Annie Dillard married a poet, earned a Master's Degree in English, and wrote her thesis on Thoreau and Walden Pond. For two years after she graduated she was writing, journaling, and painting. She then decided that in essence she should write her own take on nature, similar to Thoreau's experiences. Where Thoreau was a man out in rural Massachusetts in the mid-1800s, Dillard was a woman, over a hundred years later, in rural Roanoke, Virginia. She felt there was room enough in the world for a fresh take on natural life.
And indeed she was quite correct.
This isn't a "story" about a person starting Here and ending up There. It isn't even a series of essays, as some readers have mistakenly assumed. Instead, Dillard is clear that this is a cohesive piece, organized chronologically, building and expanding on previous experiences and then moving forward. Dillard is not only keen in her insight into what is before her, but also amazingly well read. She can find the relations between the water before her and the Eskimo traditions, between a barely visible creature and the quotes of scientists from decades ago. It's like sitting down at the side of a pond with your beloved aunt who has traveled the world, and hearing fascinating stories about how various bits of life relate to fascinating creatures far away.
The book is poetry, and one focus here is that *life* is poetry. Everything around us is beautiful and terrible and will be gone in the blink of an eye. Turn your head too quickly and it will skitter off, never to be seen again. The roiling crimson beauty of a magnificent sunset will fade into a smoky grey, and no matter how many sunsets you watch after that, none will ever be quite the same.
Is it "boring" to read about the fantastic myriad wonders that nature presents to us every day? That's an intriguing question. Somehow our world has trained us to be obsessively attentive when a movie-screen freight train barrels towards a stalled car, but to turn away uninterested when a double rainbow shimmers into existence over a lake. We stare down at our smartphone screen in dedicated frenzy when a Facebook post blings into existence, but we ignore the real live human being before us who we could learn so much from. We want a start, a middle, and an end. But nature goes on, always renewing, constantly restoring, and I think somewhere many of us have lost track of that.
So, yes, settling in with Pilgrim at Tinker Creek is like settling into a favorite chair on your back porch, sipping a delicious glass of wine, and watching with fascination as the golden-winged dragonflies perform an intricate mating ritual. It is spellbinding, and soothing, and fascinating - but one has to want to slow down and pay attention. One needs to mute the TV, turn off the cell, and be willing to breathe in the natural world which is all around us.
Well recommended.
While I believe Dillard is or at least at the time was heavily into Christianity, I did not find her heavy handed with the Biblical symbolism at all. As someone who is not hugely Christian, I still found her touch on divinity and creation beyond palatable and thought provoking.
Chapter 13: The Horns of the Altar: "I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I've come to care for, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down" (242).
It's paragraphs like the one above that makes this book a staple and one that I've read over and over again and will continue to do so.