Pilgrim at Tinker Creek

4.4 4.4 out of 5 stars | 1,396 ratings

Price: 22.29

Last update: 11-05-2024


About this item

Winner of the Pulitzer Prize

“The book is a form of meditation, written with headlong urgency, about seeing. . . . There is an ambition about [Dillard's] book that I like. . . . It is the ambition to feel.” — Eudora Welty, New York Times Book Review

Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley, where Annie Dillard set out to chronicle incidents of "beauty tangled in a rapture with violence."

Dillard's personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, she stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons.


Top reviews from the United States

Lisa Shea
5.0 out of 5 stars A Verbal Meditation
Reviewed in the United States on November 13, 2012
It's intriguing reading peoples' reviews of Pilgrim at Tinker Creek by Annie Dillard. The majority find it spellbindingly beautiful, a work of poetry, and well deserving of the 1975 Pulitzer Prize it was awarded. A small, vocal group insist it's mind-numbingly dull, with no plot and no resolution. It doesn't "go anywhere". In many ways I find that the story, and readers' reactions, are quite similar to how meditation is perceived.

First, the basics. Annie Dillard married a poet, earned a Master's Degree in English, and wrote her thesis on Thoreau and Walden Pond. For two years after she graduated she was writing, journaling, and painting. She then decided that in essence she should write her own take on nature, similar to Thoreau's experiences. Where Thoreau was a man out in rural Massachusetts in the mid-1800s, Dillard was a woman, over a hundred years later, in rural Roanoke, Virginia. She felt there was room enough in the world for a fresh take on natural life.

And indeed she was quite correct.

This isn't a "story" about a person starting Here and ending up There. It isn't even a series of essays, as some readers have mistakenly assumed. Instead, Dillard is clear that this is a cohesive piece, organized chronologically, building and expanding on previous experiences and then moving forward. Dillard is not only keen in her insight into what is before her, but also amazingly well read. She can find the relations between the water before her and the Eskimo traditions, between a barely visible creature and the quotes of scientists from decades ago. It's like sitting down at the side of a pond with your beloved aunt who has traveled the world, and hearing fascinating stories about how various bits of life relate to fascinating creatures far away.

The book is poetry, and one focus here is that *life* is poetry. Everything around us is beautiful and terrible and will be gone in the blink of an eye. Turn your head too quickly and it will skitter off, never to be seen again. The roiling crimson beauty of a magnificent sunset will fade into a smoky grey, and no matter how many sunsets you watch after that, none will ever be quite the same.

Is it "boring" to read about the fantastic myriad wonders that nature presents to us every day? That's an intriguing question. Somehow our world has trained us to be obsessively attentive when a movie-screen freight train barrels towards a stalled car, but to turn away uninterested when a double rainbow shimmers into existence over a lake. We stare down at our smartphone screen in dedicated frenzy when a Facebook post blings into existence, but we ignore the real live human being before us who we could learn so much from. We want a start, a middle, and an end. But nature goes on, always renewing, constantly restoring, and I think somewhere many of us have lost track of that.

So, yes, settling in with Pilgrim at Tinker Creek is like settling into a favorite chair on your back porch, sipping a delicious glass of wine, and watching with fascination as the golden-winged dragonflies perform an intricate mating ritual. It is spellbinding, and soothing, and fascinating - but one has to want to slow down and pay attention. One needs to mute the TV, turn off the cell, and be willing to breathe in the natural world which is all around us.

Well recommended.
SaulK
5.0 out of 5 stars fantastic wordsmith
Reviewed in the United States on October 10, 2024
I loved and hated this book, even as life. She is a marvelous writer. I am turning 70 this year and the whole book spoke to me
Kaitlyn Higa
4.0 out of 5 stars Review for the Audio Book
Reviewed in the United States on September 6, 2016
I originally read this book, in the tree flesh about 9 years ago and recently purchased this audio book in search of something nostalgic, familiar that soothe my ire to an from work on the 110 Freeway. The recording itself is not bad, the speaker's voice is what you would want to hear nature narrations told in. Although when going through a mid-youth crisis as I am, I found myself having to skip back tracks often, attempting to find the greater meaning that Dillard has so expertly woven in between her Praying Mantises and Blood Flukes, I would have appreciated being granted more pauses and breaks between words. Such is the tragedy of an audio book. The volume of the CD was a little low, often I found myself forgetting to turn the volume back down, leading to unpleasantries when attempting to change my car audio input back to the radio. I suppose I also have been spoiled by mp3 CD's, which hold a greater number of tracks than regular CD's; I found myself a little irritated by the frequency at which I was changing disks. My sincerest apologies to that guy that I almost hit with my car as I tried to move from disk 5 to disk 6. I would definitely re-buy this if it were offered on in mp3 CD format.
Keshawnta
5.0 out of 5 stars Amazing!
Reviewed in the United States on August 8, 2014
I wasn't sure I'd be able to finish this book. I am decidedly not a nature girl, so a book so steeped in nature wasn't something I thought I'd be able to wrap my mind around for 200 odd pages. I was wrong. While I'm still not so into nature, this book is amazing. I was not as bored as I thought I'd be reading the musings of this woman wandering around the forest and the area surrounding the creek, discussing muskrats dragonflies, and locusts, etc. While that aspect of the book didn't turn me away from it, but it wasn't the most appealing either. While not wholly unappealing, it was also not apalling. It did make me look at nature in a different way and if I ever find myself camping, I'll likely chase down small woodland creatures and study them like there will be a test the next day. The best part of the book for me were all the relevatory moments Dillard came to while watching and pondering these creatures, their existence as well as her own and the environment. The chapter "The Present" spoke to me in a way that I didn't expect and said so many things that I think and feel about the present, but have never been able to elucidate. I am a highlighter, underliner, and margin writer. Anything that is enlightening, beautiful prose, a ponderable for later gets marked in some way in my books. This book is filled with yellow highlights and I can literally read those passages over and over again and find something new almost every time.

While I believe Dillard is or at least at the time was heavily into Christianity, I did not find her heavy handed with the Biblical symbolism at all. As someone who is not hugely Christian, I still found her touch on divinity and creation beyond palatable and thought provoking.

Chapter 13: The Horns of the Altar: "I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I've come to care for, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down" (242).

It's paragraphs like the one above that makes this book a staple and one that I've read over and over again and will continue to do so.

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