Tom Lake: A Novel

4.3 4.3 out of 5 stars | 44,205 ratings

Price: 21.25

Last update: 12-29-2024


About this item

#1 NEW YORK TIMES BESTSELLER A REESE’S BOOK CLUB PICK READ BY MERYL STREEP

In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America’s finest writers.

“Patchett leads us to a truth that feels like life rather than literature.” —The Guardian

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.


Top reviews from the United States

  • switterbug/Betsey Van Horn
    5.0 out of 5 stars A Buddhist blend of Grovers Corners and northern Michigan
    Reviewed in the United States on August 10, 2023
    Appreciating the little things in life, the joy of day-to-day existence, and the love for your family and your work is what Tom Lake meant to me. Tom Lake refers to a (fictional) summer stock theater in northern Michigan in the 1980s, close to the locale of the current 2020 timeline--- a cherry farm (and pears, and apples). The late eighties marked a luminous period for protagonist/narrator Lara, a time that she walked the fine line between adulting and adulthood, coming of age amid a torrent of drama that swept her up in its fury. And then there was Our Town, the play within the novel that portrayed Lara’s life on the stage (and backstage).

    Lara is telling her three twenty-something daughters about her short stint as an actress in her twenties, and the brief romantic affair with Peter Duke, a famous movie star before he was a famous movie star. The gorgeous cherry farm backdrop is like a staid but vivid character, with Lara, husband Joe, and the three girls all together for the first time in a while. Due to the pandemic, they don’t have the usual crew to help pick the fruit, so the storytelling unfolds as the family works the orchard during harvest time. Like the cherries, some parts are sweet, some tart, and all of it is juicy.

    I felt the air, inhaled the scents, the cherries, the land and the whole layout of the farm while reading. And there is the kindness, too, of this family, whose flaws are also part of their strengths. The chaos of Lara’s life as a young woman is juxtaposed with the serenity of her life now, and the two timelines fluidly alternate, sometimes gently, at other times with piercing intensity. And every storyline has at least two. So, when you read about Lara in the past, or present, you just can’t help sniffing around to see the connections, of what surprise is crouched in the corner or hidden behind the door. I verily slipped into Lara’s character and imagined what decisions I would make as her, given so many pressing options and dilemmas.

    Ann Patchett nails it every time, her characters are complex and her graceful pace is measured even when events are brutal. Lara is a radiant work-in-progress during her young years, many readers will see themselves in her. I was a local stage actor in Austin during my twenties, so I immersed myself in Tom Lake, pretending to be Lara acting as Emily Gibbs and then back to Lara again. The two timelines showed the difference between the fiery summer love of youth and the deep, tender, and mature love of family that you helped to create. The high points were explosive, even when they were pin-drop quiet. Lara’s low points stirred me almost to tears; I could feel her pulse against mine.

    If you’ve never seen a production or haven’t read Our Town, you’re about to get a spoiler’s worth in the novel. But I think Ms. Patchett has surmised that most of her readers are already familiar with Thornton Wilder’s play. She coalesced Our Town and Tom Lake together in a way that reveals her refined skill of integration. Tom Lake and Our Town were separate but conjoined. I know that doesn’t make sense, but it will when you read the book. She also quotes Chekhov at pique (and even peak) intervals; she shares the Russian writer’s work with spare but specific devotion.

    I recently learned that Patchett has never owned a smart phone, and doesn’t herself do social media (she talks to the camera and her staff completes the rest). She has never used Google, or researched on Wiki—she does it the old-fashioned way. And perhaps she’s that slightly eccentric but lovely gentlewoman you see carrying paper road maps!

    Tom Lake is thoughtful, deft, and life-affirming. (It isn’t a pandemic novel, even though it takes place during that time). There’s comedy, tragedy, drama—a look-back-at-your- own-life kind of book. It’s classic Ann Patchett.

    There’s this passage that really tickled me from the book. It’s toward the end but not a spoiler, it’s thematic with the rest of the narrative. Lara was so busy recounting the past for her daughters that she forgot to make lunch, which she said she should have been working on while talking. “The past need not be so all-encompassing that it renders us incapable of making egg salad.” Priorities!
  • BookishMom
    4.0 out of 5 stars A modern-day Decameron
    Reviewed in the United States on April 17, 2024
    Tom Lake is one of those books that I enjoyed while reading but pondered more for weeks after I finished it. This is not an action-based book, but rather a character-based narrative which unfolds slowly, so it may not appeal to all readers. Lara, a former actress, now a cherry-farming mom of adult daughters, is prompted to tell the story of her acting career and romantic involvement with a huge movie star.
    The novel takes place during the Covid pandemic, and the daughters have returned home to isolate with their parents. This setup reminded me of classics like Bocaccio's Decameron (where a group of people isolate at a country estate to escape the plague, and they pass the time telling stories). This novel is very much a story about telling stories, about the interaction between the narrator and the audience (who may or may not know parts of the story already), what the narrator chooses to disclose (or not) to the audience, and the power of storytelling to influence the listener. Even Thornton Wilder's play Our Town, which runs like a thread throughout the novel, underscores the storytelling motif and how the play influences and teaches Lara life lessons.
    There is a deft contrast between the glamorous and superficial world of the actors and the very earthy, tenuous and sensual world of the farmers as the novel moves between these two worlds through Lara's eyes. Throughout, there is a deep appreciation for the love and bond of family and the strength in finding a life where you truly belong. This is a subtle novel, with many layers to explore, but it requires the reader to be willing to sit and savor the experience of the storytelling process.
    A note about the audiobook: 5 stars. Meryl Streep is the perfect narrator for this novel. Her tone is the right balance of emotion and wry commentary, and her own life experience parallels Lara's life enough to lend an authenticity and warmth which made the listening experience very enjoyable.

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