Canon EF 100-400mm f/4.5-5.6L is II USM Lens, Lens Only

4.7 4.7 out of 5 stars | 507 ratings

Price: 2399

Last update: 10-09-2024


About this item

Compact, high performance L-series super-telephoto zoom makes it ideal for sports and wildlife photography
Rotation-type zoom ring allows for more precise composition and excellent balance when handholding.Rounded 9-Blade Diaphragm
Improved zoom torque adjustment ring allows easy setting of zoom tension, Focal Length & Maximum Aperture:100-400 millimeter 1:4.5-5.6, Closest Focusing Distance-3.2 feet; 0.98 meter
New Air Sphere Coating (ASC) helps to significantly reduce backlit flaring and ghosting, Highly resistant to dust and water, and amazing durability enabling shooting even in harsh conditions

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Canon EF 100-400mm f/4.5-5.6L is II USM Lens, Lens Only

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Top reviews from the United States

Colin Brown
5.0 out of 5 stars Took years to get here but worth the wait
Reviewed in the United States on December 26, 2014
The rumor mills have been churning for years now on a replacement for the Canon EF 100-400 f4.5-5.6 L IS USM which was initially released over 10 years ago. Finally Canon have come through with an update to this lens.

The lens comes very well packaged from Canon with foam protecting just about everything, including the lens hood. In the box you will find the lens, tripod mount, front and back covers, a new ET-83D lens hood with a sliding door (about an inch square) that is very useful for circular polarising filters and a very nice carrying case which is very similar to the case the 70-200L f2.8 comes with.

On the lens you will find switches for auto-focus/manual focus, full focus range or 3M to infinity (the lens will ignore near objects and only try to focus on objects further than 3 meters (about 10 ft) out or beyond), Image stabilization on/off and three different modes of image stabilization.
The lens comes in Canons famous white L metal finish and is fully weather sealed (you do not need a filter to complete the weather sealing like you do on some other L lenses that I have). The build quality of this lens is excellent as you would expect from any of Canons L series lenses.

Rather than the old, dated push/pull mechanism of the previous lens, this lens uses the normal rotational zoom with the barrel extending out from the main body. Canon has used an internal floating focusing mechanism which results in non-rotation of the front element (something you want if you are using graduated filters for example). The zoom ring is strangely at the front of the lens whilst the rear ring is focusing (this is essentially a reversal of what you normally find). Both the zoom and the focusing rings have a smooth motion to them giving you excellent control over both with a friction ring directly behind the zoom ring allowing you control and locking of the zoom.

Canon have updated their Image Stabilization to the latest and greatest which according to the specs allows you an equivalent 4 stop gain. The IS really is very good however in the few tests that I have managed to complete, this is more of a 3 stop gain, not 4. You now get 3 flavors of image stabilization as well as tripod detection so the IS doesn't have conniptions by the lack of movement anymore (a great feature if, like me, you sometimes forget to turn IS off when you mount the lens on a tripod). The front element has a new ASC (Air Sphere Coating) which is supposed to reduce backlit flaring and ghosting whilst the fluorine coatings on both the front element rear lens surfaces is meant to help reduce smears and fingerprints.

The lens also features an upgraded USM ring-type drive which results in extremely fast and virtually silent auto focus operations. You can manually focus the lens in auto-focus mode and sometimes this helps when going from near focus at full focal length to far focus. There can be little focus hunting when you do this.

So how good are the optics? The center of the lens is tack sharp, in fact the lens as a whole is extremely sharp but there is a little fall off towards the edges, and by a little I mean a very little. The peak lens performance occurs seems to be around 190-220mm with the weakest spot not surprisingly being at the full 400mm but even at 400mm this lens is very sharp. There is slight vignetting the further you zoom out, again nothing to be worried about and there is virtually no chromatic aberrations (color shadows/fringing at image borders).

You will not find a creamy smooth bokeh like you find on a f2.8 prime on this lens, that is to be expected but it is better than the original 100-400L and is generally very good. If you are a pixel peeper you will find a slight halo around the out of focus discs but you have to zoom quite far in on your image for it to be noticeable.

Pros :
Image Sharpness
Image Stabilization
Flexibility of the lens
USM focusing is very fast and silent

Cons :
Bokeh isn't as creamy smooth as other L prime lenses but still very good.

The image quality of this lens is outstanding and the build quality superb. The focal range of 100-400mm (160-640mm on an APS-C camera) gives you more options than say the 70-200mm especially for wildlife and sporting events. Did I mention the tack sharp image quality? It really is so good that I'm seriously considering whether I need to carry both this lens and the 70-200mm f2.8L in my bag, which gets to heavy with both lenses, or whether I can just leave the 70-200mm at home unless I know I am going to need its lower settings. canon have done a wonderful job with this lens and it is a significant improvement over the mk I.

A couple of other things worth mentioning. This lens does work with both the Canon 1.4x and 2.0x TCs and also the Kenko 1.4x Pro 300 TC with full autofocus. It also works with the MetaBones III adapter with full autofocus if you are thinking of using this lens on a Sony A7 or A7R. When used in conjunction with the MetaBones III adapter the autofocus does take a lot more time to lock in and you will notice some slight hunting but combined with the A7/R sensor it creates some sensational images.
Starkid
5.0 out of 5 stars My first great white lens
Reviewed in the United States on June 5, 2015
This is my first L lens. Recently upgraded the camera body to a 7D mark ii to capture actions in my kids' soccer games. The kit lens (EF-S 18-135mm STM) that came with the camera shows its limitation in focal length, so I need a longer telephoto lens. Setting my heart on a L lens and determining that I will need a focal length bigger than 200mm, I zoomed in on the 28-300 L, the 70-300 L and the 100-400 L (mark i). Quickly eliminated the first and the third due to push-pull, and almost ready to buy the second for its price and reach albeit with some hesitation on the lack of tripod mount and incompatibility with Canon teleconverters, when I saw the all new 100-400 L (mark ii). The reviews on both Amazon and B&H are mostly very positive, and the new technologies in the lens seem to be resistible. So after a brief self consultation of cost and benefits, I've made the purchase on Amazon.

The lens arrived a couple of days ago; delivery was prompt - thanks to Amazon Prime. I have yet to bring it outdoors nor to shoot my kids' games, so I cannot say anything of how it performs in the "real world" - will try to update this review when more data is available. However, I can already say something cosmetic about this lens.

First of all, it is heavy. At over 3.5 lbs, this lens is a monster. Mounted on a 7D mark ii, the combination is way over 5 lbs. I am still improving my muscle memory (and it's getting better by the day), but I can say that hanging this thing on my neck is certainly not a pleasant experience. Having said that, hand-held shooting position is actually not too bad; I don't think I'll need any mono/tripod during the soccer shootings. I'll probably carry the camera with lens on over my shoulders when moving around during the games.

Secondly, the image stabilizer makes a distinctive clicking sound when it's turned on and off in AF mode. This is a bit annoying compared to the almost silent operations of the STM lens, but I guess I'll have to get used to it. In live view, the sound from the IS motor is not audible, but the movement of the lens elements can be heard when zooming. Hope this won't ruin the video recording.

Third, there is a small opening on the lens hood, which can be used to control the polarizing filter. Sometimes I found this little "window" to be too easily opened by accident; so need to pay attention to make sure it is shut.

Overall build quality, feel, and image quality from a few test shots in low light conditions look very good. Can't wait to take it out to realize its full potential, and see what/how the great white lens delivers.

Update 6/18/15: I've now owned the lens for a few weeks and taken it out for a few outdoor kids sporting events. Under good lighting condition (sunny sky), the lens (together with my 7D Mark ii, manual setting at 1/1000, largest aperture at respective focal length) delivers sharp image, vibrant color, and high quality (ISO lower than 400). However, in one of the settings with overcast sky, maintaining the same shutter speed and aperture rendered pictures with ISO consistently over 2000 and sometimes at 4000. The image quality is obviously less stunning than those at ISO below 400 shot in bright sunlight. Well, one could argue it is the sensor on the 7D Mark ii. But I think the maximum aperture of f4.5-5.6 of the lens also plays a role. So the conclusion is that the lens is perfect for sports in good lighting conditions or slower moving or stationary objects in not so ideal lighting; but may push the limit for actions in low lighting (e.g. indoor sports or stage).

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