Mexican Gothic

4.1 4.1 out of 5 stars | 31,971 ratings

Price: 1.99

Last update: 01-08-2025


About this item

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian
 
ONE OF
TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD

ONE OF THE BEST BOOKS OF THE YEAR:
The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads
 
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of
Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.   
 
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
 
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. 
 
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post

“Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”Nerdist

“A period thriller as rich in suspense as it is in lush ’50s atmosphere.”Entertainment Weekly


From the Publisher

PRAISE FOR MEXICAN GOTHIC

The Washington Post says, "It's as if a supernatural power compels us to turn the pages…."

WINNER OF THE LOCUS AWARD

Vanity Fair says, "[An] irresistibly dark feminist reimagining of the Gothic fantasy novel . . . "

VOX says, "Deliciously creepy.”

NPR’s Fresh Air says, "Inventive and smart.”

Chicago Review of Books says, "A new classic of the genre.”

More from SILVIA MORENO-GARCIA
Gods of Jade and Shadow Velvet Was the Night The Daughter of Doctor Moreau
Customer Reviews
4.4 out of 5 stars
6,525
4.0 out of 5 stars
2,051
4.1 out of 5 stars
2,333
Price $10.19 $9.99 $19.47
The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore. A simmering historical noir about a daydreaming secretary, a lonesome enforcer, and the mystery of the missing woman they’re both desperate to find. A dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

Top reviews from the United States

  • A.J.
    5.0 out of 5 stars Excellent
    Reviewed in the United States on October 10, 2024
    Filled with unexpected twists and a nebulous brand of danger, Mexican Gothic is a dark and disturbing tale—and well worth a read.

    The main character is Noemí Toabada, a young socialite who spends half of her time at parties and the other half in school, studying anthropology. She was an interesting character, both vain and keenly intelligent, loyal to her family, yet at times, she was also self-serving. Noemí had a stronger constitution than she appeared to possess at first, making her an unlikely heroine. But she was the hero of this story, and I liked her when I didn’t initially think I would.

    After she was sent to check on her cousin at High Place, Noemí began to experience what she at first believed were nightmares. The dreams were merely strange at first, but slowly became more eerie and terrifying. She didn’t understand the cause at first, but with subtle hints from her cousin, who Noemí was only allowed to see sporadically (and under strictly controlled circumstances), Noemí started to unravel the mystery surrounding High Place and its reclusive inhabitants.

    Uncovering that mystery is central to the story, but it took some turns I wasn’t expecting. At first, the weird occurrences Noemí experienced felt like a classic haunted house tale—her nightmares and subsequent sleepwalking, the half-seen movements she glimpses around the house, and the general strangeness of the Doyle family who lives there. But midway through the book, a scientific explanation for everything is revealed.

    I really, really want to talk about that explanation in detail, but I can’t without going into some major spoilers. What I can say is this: It made sense and it worked for this story. I will admit to being slightly disappointed that this wasn’t actually a ghost story, however. It was still plenty creepy and there were more disturbing scenes in store, and I know my reaction was due to my own scientific background. I personally don’t find the thing at the heart of this story that scary (though I know plenty of people who will.)

    Aside from Noemí, there are a few other characters worth noting. Her cousin, Catalina, was the reason she went to High Place, but Catalina isn’t very present in the story until the end. Catalina was ill for much of the book, making her interactions with Noemí sparse. Most of the Doyle family were, for lack of a better term, horrible people (with one exception.) The family patriarch, Howard, was a lecherous old man, and Virgil (Catalina’s husband) was similar, but I felt his ick factor was even higher. After Noemí uncovers their secrets, their behavior makes sense in a twisted kind of way, but everything about them was still downright awful. The only likeable Doyle was Francis; he was quiet, unassuming, and sweet, but trapped in the same nightmare as Noemí and Catalina. I liked Francis.

    Overall, I thought Mexican Gothic was a great book, and another excellent pick for my October reading list.
  • Jasper
    4.0 out of 5 stars Spooky Gothic Horror
    Reviewed in the United States on September 21, 2020
    I bought this book because friends said it was great and because I write Gothic fiction and like to read it, too. When I began reading, I found it hard to get into - the pace a bit slow. However, when I got to around one-third of the way through, it started to pick up and I began to really enjoy it.

    It’s the story of Noemi Taboada, a socialite, living the high life in Mexico City. At a party, she is suddenly summoned home by her father. He advises her that her cousin, Catalina, who married and moved away, had sent a strange letter saying that her husband was trying to poison her and that there were voices coming from the walls among other things. Mr. Taboada instructs Noemi that she is to go visit her cousin to ascertain the true nature of the young woman’s situation.

    Thus begins Noemi’s journey into darkness. The house Catalina now lives in, High Place, is foreboding and very Gothic in nature. Mold seeps through the wallpaper and everything is damp and dark. The inhabitants: Virgil Doyle (Catalina’s husband), Francis (Virgil’s cousin), Florence (Francis’ mother), Howard Doyle (Virgil’s father and patriarch of the family), and a few servants are similarly dark and strange. Noemi is like a fish out of water in their presence.

    In addition to the gloomy nature of her new surroundings, our plucky heroine is allowed very little time with her cousin. She’s told by Virgil that Catalina has tuberculosis and needs medication and rest.

    The story continues with Noemi beginning to experience strange dreams that seem very real and a recurrence of sleepwalking, something she hadn’t done since childhood. In addition, she finds Catalina’s husband, Virgil, to be handsome, but cold and aloof, and somehow frighteningly sexual. Beset on all sides by the hostility emanating from the house and its inhabitants, Noemi clings to Francis, a rather introverted young man, as her only ally.

    Secrets abound and I was truly enjoying this book until I got around two-thirds to three-quarters of the way through – the place where mysteries begin to be revealed.

    Now, a warning: a spoiler is coming. So, if you don’t want to know anything more, stop reading right here!

    One of the main mysteries in this novel revolves around Howard, the patriarch. He’s extremely old and not expected to live much longer. As Noemi begins to understand that she’s becoming a victim of the house and the Doyle family, it’s revealed to the reader that Howard is not just old – he’s ancient. He’s lived multiple lives and when his body begins to fail, his essence or mind or spirit, leaps from his decrepit shell into that of another – one of his relatives. And, thus, he lives on.

    When I read this, my mouth fell open and I dropped my tablet.

    “That’s my story!” I cried.

    Indeed, it is the main premise of my novel, The Tao of the Viper, A Kate Pomeroy Mystery which was published in October 2019, eight months before Mexican Gothic.

    In The Tao, an old, old man, Ian Morrison, is part of an ancient cult and has the power to, when his corporal body fails, leap into that of another soul. Sound familiar? It did to me and from that moment on, I read with a different focus – looking for more similarities. And, I found them, the most notable of which was the ending of the book (which I won’t reveal here.)

    Coincidence? Great minds thinking alike?

    Probably. As I mentioned, my novel was published eight months earlier and, in the indie publishing world, that’s a long time. However, in the traditional publishing world, it’s but a nano-second. So, the possibility that Ms. Moreno-Garcia read my book, wrote or edited her book, and got it published by a traditional publisher in eight months is highly unlikely. However, it spoiled the read for me.

    In conclusion, my rating, four stars, is not based on the similarities between her book and mine. It is based, rather, on the pacing and the fact that I felt some of the characters were rather flat and needed more fleshing out. It’s a good read with lots of spooky, scary stuff and I recommend it.

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